Posts Tagged ‘NewSong competition’

Introducing the NewSong Competition Judges

Thursday, December 4th, 2025

Meet the judges for the 24th annual NewSong Music Performance & Songwriting Competition:

Anna Pearson — Artist Manager, Red Light Management
Anna Pearson has been with Red Light Management since 2013 where she currently co-manages Larkin Poe, Lissie, Cat Clyde, Ruthie Foster, Tyler Ramsey and Rodney Crowell with long-time partner and mentor Peter Leak, who she began working for in 2007 as an assistant at Nettwerk Management. Anna graduated from UT Austin with a BS in Communication Studies and a Minor in Business, got her foot in the door through several music industry internships including the Recording Academy’s Texas Chapter, and started working in LA at an indie music PR company. After a long stint in LA, Anna relocated to Asheville, NC a few years ago where she loves the music scene and hanging out in nature with her husband and 2 dogs.

Kramer Producer, composer, musician, filmmaker, and multi-instrumentalist, Shimmy-Disc
Kramer is the founder of the label Shimmy-Disc. In the 1980s & 90s, he produced hundreds of recordings at his Noise New York and Noise New Jersey studios. As a producer, he helped to create seminal recordings for artists as diverse as Daniel Johnston, Galaxie 500, Half Japanese, Pussy Galore, Urge Overkill, Will Oldham, and LOW, to name but a small few. He lives and works in the Blue Ridge Mountains of North Carolina.

Gar Ragland Producer, President and Co-founder of NewSong Music
Gar Ragland is a producer, musician, and president and co-founder of the NewSong Music Group. It was in Boston, while studying composition and improvisation at the New England Conservatory, and there her started producing his fellow classmates’ demos and records, and co-founded NewSong Music. In 2005, Ragland moved to New York City, working out of his studio in the Gowanus neighborhood of Brooklyn. In 2012, he relocated with his wife and three children to Asheville, NC to take up residence at Echo Mountain Recording Studios; and in 2020 founded Citizen Vinyl, presenting sponsor of NewSong Music. Ragland is a voting member of the Recording Academy (Grammys), and currently serves on the board of the Asheville Area Arts Council.  

 

Q&A with 2025 NewSong Finalist Annie Stokes

Tuesday, October 28th, 2025

A childhood spent alternately in dance studios, buried in books, or outside on the easternmost seam of the Blue Ridge Mountains shaped Annie Stokes’s childhood and teen years, before college allowed her to pursue the study of history and gender (two themes that come up frequently in Annie’s work). After giving a ‘real’ job the (literal) old college try, it became evident to her that her life’s calling was in music and performance. Annie teamed up with producer Austin Bello for her 2023 EP Wild Rose and a forthcoming full length LP. 

Annie and seven other finalists will gather in Asheville on Thursday, December 11, to connect and perform at the 24th annual NewSong Music Performance & Songwriting Competition, held at The Grey Eagle. Tickets are on sale here.


NewSong Music: What sort of music was playing in your house when you were growing up?

Annie Stokes: My mom was really into ’90s country and bluegrass — we were always listening to Trisha Yearwood and Alison Krauss. My grandmother introduced me to musicals, so I listened to a lot of Stephen Sondheim as a young kid. These two very different genres gave me my love of ballads and theatrical musical and lyrical choices while also keeping me rooted in folk instrumentation.

What was your journey to music? 

I grew up doing musical theatre, so I had a lot of vocal training and was adjacent to instruments my whole life. I taught myself guitar when I was in college, and proceeded to teach myself a handful of other instruments. But I’ve certainly learned from other musicians, and wouldn’t be half as decent as I am now without mentorship.

What is the first song you wrote that you were proud of, and why?

The first song I wrote that didn’t suck was called “Wrecker,” and to this day, I’m proud of it because it was when I realized that I possessed the ability to write songs. It wasn’t some mystery that I was locked out of.

What is your writing process like? 

I generally start with a lyrical idea or theme and then write the melody. Every now and then, a riff will come to me first, but I consider myself to be a writer and lyricist at heart, so generally I’ll start with lyrics. I write almost exclusively on guitar. In terms of when and where, I’m trying to be a little bit more structured with how I write. An artist I opened for a while ago told me that “the muse honors people who honor her,” which means that you have to be intentional with the time and space you make in your schedule to be creative. You can’t just wait for a good song to pour out. With two young kids and a handful of jobs, that can be tough, though.

Share a musical adventure from this summer with us. 

We played the main stage at Steppin’ Out Fest in Downtown Blacksburg this summer, and that was incredibly special. I played the acoustic stage at the same festival a few years ago, and it was a “pinch me” moment to be able to look at the massive mainstage that we were able to play on. 

Tickets on sale for 24th Annual NewSong Music Performance & Songwriting Competition Finals

Tuesday, August 12th, 2025

In celebration of its 24th anniversary, the NewSong Music Performance & Songwriting Competition — presented by Citizen Vinyl — will welcome eight finalists from across North America to Asheville for an evening of songs and connection. The event takes place at The Grey Eagle on Thursday, December 11. The internationally recognized event, previously held at the prestigious Lincoln Center for the Performing Arts in New York City, has since found a home in the mountains of Western North Carolina. 

Purchase tickets here.

Fully seated show. Doors at 6PM / Show at 7PM. $30 general admission / $40 premium seating in the first three rows.

The finalists (to be announced in early October), selected from advance online submissions, will bring their musical chops to Asheville to perform, compete, and connect with one another. A panel of music industry judges will select one grand prize winner who will receive a fully funded six-song EP, recorded and mixed at Citizen Studios, and a vinyl package pressed at Citizen Vinyl.

Q&A with NewSong finalist Eliza Edens

Saturday, December 21st, 2024

On Eliza Edens’ sophomore album We’ll Become the Flowers, she seeks to understand what happens after the end. Whether grappling with heartache or a loved one’s mortality, the Brooklyn-based songwriter re-imagines endings not as finite events but as devotional experiences that give way to new beginnings. Edens takes inspiration from folk luminaries such as Nick Drake, Karen Dalton and Elizabeth Cotten.

Eliza will join seven other finalists to network and compete at the NewSong Performance & Songwriting Competition finals on Saturday, March 15, at Citizen Vinyl. Find tickets here.

NewSong Music: What sort of music was playing in your house when you were growing up?

Eliza: The Beatles, Stevie Wonder, Peter, Paul & Mary, John Mayer, Jack Johnson, Eva Cassidy, Dave Brubeck Quartet, Norah Jones, Canned Heat, Bonnie Raitt, and lots of classical music.

What inspired you to become a songwriter?

The absolute magic and mystery of music. I was always so mystified as a child when I saw someone playing a guitar or a piano. I wanted to learn how I could make beautiful sounds with my hands on those instruments too. So I suppose, mystery. I am still uncovering the mystery of music and songs.

If you could partner with another living songwriter to co-write a song, who would it be?

Stevie Wonder

What attracted you to submit your song(s) to the NewSong Competition?

I read about it somewhere online and submitted on a whim!

Do you have any recent or forthcoming projects to tell us about?

I am currently working on a new batch of songs about queerness and grief. They are very genre-diverse and a lot of fun!

Early Bird finalist selected — R.O. Shapiro from Los Altos, CA!

Wednesday, September 4th, 2024

CONGRATULATIONS to soulful Americana artist R.O. Shapiro on being selected the ‘Early Bird’ finalist in this year’s NewSong Performance & Songwriting Competition. R.O. (Raphael Odell) Shapiro is a purveyor of original Americana music, carefully crafted and soulfully sung. With Jenner Fox he formed the band Odell Fox. The duo started touring almost immediately, cultivating an energetic and intimate live show experience that R.O. has continued to build upon as a solo artist. In Austin, TX, they released two records, the Moon Shiner EP in 2016, and Thank You in 2017.

When the band parted ways, R.O. stayed in Austin, gigging regularly in the hallowed venues of that world famous music scene. It was then he developed the full-band, electrified sound that you can hear on 2021’s King Electric Sessions, his first release since leaving Odell Fox.

In recent years he has typically played solo, touring regularly in the Northeast, California, and Pacific Northwest including Alaska and Vancouver Island. R.O. is a winner of the 2022 Kerrville Folk Festival New Folk songwriting contest, and recently recorded with producer/instrumentalist Phil Cook (Bon Iver, Hiss Golden Messenger.) He is currently based in Northern California.

Submit YOUR original songs to this year’s NewSong Music Performance & Songwriting Competition. We have extended the deadline and are accepting submissions through Sunday, September 15.

Meet NewSong Finalist Stacy Antonel

Friday, October 13th, 2023

Nashville artist Stacy Antonel makes clever, country-leaning Americana that feels both vintage and hyper-modern. Her “country jazz” vocals conjure the great singers of the 1920s-’30s, with the emotive power of country icon Patsy Cline. Rooted in classic country and laced with elements of jazz, pop, and R&B, Stacy’s narrative songs often feature unconventional themes. 

Stacy grew up near San Diego studying classical piano and cites an eclectic range of early musical inspiration: Tori Amos’s peculiar phrasing, Otis Redding’s rich melodic hooks. After winning televised singing contest “3 Minutes to Stardom,” Stacy quit her job to focus full-time on music. She began performing classic country covers as Ginger Cowgirl, and in 2017 moved to Nashville to record her self-titled debut EP, which was released in 2019. The album was praised by critics and led to tours in California, the Southeast, the UK, and Germany. 

Stacy is a finalist in the 2023 NewSong Music Performance & Songwriting Competition, which will take place on Saturday, November 18, at Citizen Vinyl in downtown Asheville, N.C. Learn more and purchase tickets HERE.

NewSong Music: What sort of music was playing in your house when you were growing up?

Stacy: My parents weren’t really into music, so other than a Celine Dion CD that my mom briefly listened to, most of the music in my home was my older sister’s. She listened to a lot of Nirvana, Pearl Jam, The Cranberries. Very 90s. 

What was your journey to music?
 
I took classical piano lessons from age 7 to 18, but I’m self-taught when it comes to singing. I was the only musical member of the family, and it didn’t really occur to me that it could be a career, so I stopped all my musical pursuits when I went to college. It was only 10 years later that I got back into it, when I started singing jingles for money while living in Argentina. Moving to Nashville in 2017 is when I really started writing songs and pursuing a career as an independent artist. 
 
What is the first song you wrote that you were proud of, and why?
 
The first answer that springs to mind is “Planetary Heartache,” which is weird because it’s on my most recent record, and I’m most definitely proud of the songs I wrote on my prior release. But I just think this song slaps, and I’m kind of amazed that I wrote it. Somehow it makes me feel like a real songwriter. 
 
What is your writing process like — do you write lyrics first, or music?
 
They usually come at the same time initially, and then there’s an editing phase. I find it more inspiring to write on the guitar, but I do figure out a lot of things on the piano because it’s my native tongue. Guitar is a new instrument for me, so there’s still a lot that I can’t do on it. As far as where I write, songs definitely come at random times, but the most important thing is that I sit down and force myself to just do it. As long as it’s quiet and I have my own space, it’ll work. When I’m on tour I particularly enjoy writing in random Airbnbs.  
Share a musical adventure from this summer with us — an experience that really stood out for you.
 
I went on my first solo tour this summer, which was something I was really scared to do. If I’m just singing, I don’t really get stage fright, but put a guitar in my hand and take away my band and I’m legit scared. It was cool to start unraveling the story I tell myself that I’m only worth watching if I can hide behind the really talented musicians that I usually play with. There were definitely some mediocre moments onstage but it forced me to grow a lot in a short period of time. 

Join us for the 22nd NewSong Music Performance & Songwriting Competition, Nov. 18

Monday, October 2nd, 2023

In celebration of its 22nd anniversary, NewSong Music Performance & Songwriting Competition will welcome eight finalists to Asheville, NC, for an evening of songs and connection on Saturday, November 18, 2023. The internationally recognized event, previously held at the prestigious Lincoln Center for the Performing Arts in New York City, has since found a home in the mountains of Western North Carolina. NewSong is proud to partner with Citizen Vinyl, a multifaceted event space in downtown Asheville, to present the finale showcase. 

2023 FINALISTS (YouTube + Spotify playlists below): 

@maisceu_music (Lenoir, N.C.), @cloudbellytheband (Turners Falls, Mass.), @bethjamesband (Austin, Tex.), @natpricemusic (Austin, Tex.), @reecesullivan (Lafayette, La.), @senobiamsmithmusic (Midway, Ga.), @stacyantonel (Nashville, Tenn.)

GET TICKETS HERE.

Clockwise from top left: Damon K. Clark, Beth // James, Reece Sullivan, Natalie Price, Stacy Antonel, Senobia, MaisCéu, Cloudbelly.

VIP PACKAGE: Join us as a patron of the arts for a pre-concert gathering. Enjoy drinks, hors d’oeuvres, an exclusive meet & greet with this year’s finalists, preferred seating for the evening and a digital recording of the night’s performances mixed by our own Gar Ragland, Co-Founder and Director of NewSong Music and Founder and CEO of Citizen Vinyl. Doors at 5:30PM.

GENERAL ADMISSION: General admission seating will include concert style and cafe tables as well as some bar stools. Seating is first come first serve. Doors at 6PM / Show at 7PM.

GET TICKETS HERE.

 

 

 

A group of 14 people who competed in the NewSong Music Competition stand behind and sit on a green couch.

2022 NewSong Music finalists (with NewSong founder Gar Ragland, center back). Image by Aaron Stone Photo

The finalists, selected from advance online submissions from across North America and beyond, will bring their musical chops to Asheville to perform, compete, and connect with one another. A panel of music industry judges will select one grand prize winner who will receive a fully funded six-song EP, recorded and mixed at Citizen Studios, plus 500 vinyl records pressed at Citizen Vinyl, and a featured, paid performance at Arts Brookfield’s Summer Concert Series in New York City in the summer of 2024.

Citizen Vinyl, established by NewSong Music director and co-founder Gar Ragland, is North Carolina’s first vinyl pressing facility, and boasts a variety of amenities including a full-scale recording studio, a vinyl-themed craft cocktail and coffee lounge, a record and art store, and more. 

Now in its 22nd year, the NewSong Music Performance & Songwriting Competition is one of North America’s premier showcases of emerging performers and songwriters today. This crowd-sourced effort seeks to identify the truly exceptional artists within our communities and to work closely with them to develop their careers and introduce their music to a broader, international audience while building a supportive community of performers and songwriters across all genres of music and levels of skill.

2020 LEAF Competition Live Performance Finals to take place Fall 2020

Saturday, March 21st, 2020

The 2020 LEAF Singer-Songwriter Competition Live Performance Finals has been postponed until
October 24, 2020.

In the interest of public health, the Spring 2020 LEAF Festival has been postponed. We support our friends at LEAF in this very difficult but necessary decision.

This year’s NewSong – LEAF Competition will continue as planned, EXCEPT this year’s live performance showcase and competition finals will take place at the Fall LEAF 2020 Festival.

We are keeping submission pricing at the discounted ‘Early Bird’ rates throughout the submission period, and have extended the submission deadline for two additional weeks.

Stay healthy, music lovers, and we hope to see you in the fall! 

 

From LEAF: 

“During this unprecedented world phenomenon, LEAF Global Arts is drawing upon the beauty and healing power of 25 years of hosting a world gathering built on friends, family, tradition, arts, culture and MUSIC to face the gravity of how we move forward together. … The Spring LEAF Festival, originally scheduled for May 14-17, 2020 is officially shifting to combine with our Fall Festival taking place Oct 22-25, 2020 – for a special 50th Festival Celebration honoring all we hold dear about our Global Community.” Read the full statement here

 

IMPORTANT DATES

Monday, May 4: Final deadline to enter

Monday, June 1: 2020 LEAF Finalists Announced

Saturday, October 24: LIVE PERFORMANCE FINALS to take place at the Fall LEAF Festival; Black Mountain, NC (near Asheville, held Thursday Oct. 22 – Sunday Oct 25, 2020).

Submit your songs safely and securely online at newsong-music.com. A portion of the contest proceeds will support LEAF Schools & Streets’ local cultural arts education programming.

With a mission to identify and celebrate exceptional performers and songwriters from across North America, the competition aims to bring some of the continent’s most accomplished emerging artists to showcase and compete at the 50th LEAF Festival. The LEAF winner will also earn a spot as one of only eight finalists in the 2020 annual, international NewSong Competition held in Asheville, NC. 

COST TO ENTER
1 song: $35
2 songs: $60
Additional Songs: $20/each

Meet NewSong finalist Aaron John

Wednesday, November 20th, 2019

NewSong is proud to introduce 2019 finalist Aaron John! The Nashville-based singer-songwriter will join his fellow finalists onstage at Isis Music Hall on Saturday Nov. 23 for the 18th annual NewSong Final Competition. 

We asked Aaron about his musical inspiration, songwriting process and what music news he has coming up in the Q&A below. 

Connect with Aaron on his bandcampFacebook page, and Instagram. For more information on attending this event, please visit our Facebook event page. Purchase tickets to the NewSong finals at Isis Music Hall on Nov. 23 here

What are your most significant musical/artistic inspirations?

The Hotelier, Pinegrove, Blake Mills, Big Thief, Neil Young, and Sun Kil Moon.
 

What is your songwriting process like?

For me, it’s pretty essential that the melody and rhythm guitar part materialize together. Just about everything I write starts off with a tidbit of a melody/guitar part that gets stuck in my head, followed respectively by a guitar part/melody that flows into place most naturally. After the initial idea is established, I turn off the objective and analytical side of my brain and let lyrics out until I find a phonetic current that folds into the guitar and melody. From there, I ride that current out until more direction has been uncovered and change most all of the words (because everything i’ve let out up to this point in the process is likely grammatical gibberish). And then on it’s just a slog of a pursuit for maintaining purpose and cohesion.

 

What was your reaction to being named a NewSong finalist?

Excitement, easily! I was lucky enough to play backup guitar in last year’s New Song finals for the eventual winner, Mel Bryant, so I was able to see firsthand how wonderfully supportive, talented, and encouraging the entire New Song community is. Because of how rare it is to find a contest environment like that, choosing to apply for myself the following year was an easy decision.
 

What music news would you like to share with readers?

I have my debut EP “Coming Clean” releasing in early 2020!
 
 
For more information on attending the NewSong Competition event, please visit our Facebook event page. Buy tickets here

Meet NewSong finalist Jobi Riccio

Wednesday, November 13th, 2019

NewSong is proud to introduce 2019 finalist Jobi Riccio! The Boston-based singer-songwriter from Denver, CO will join her fellow finalists onstage at Isis Music Hall on Saturday Nov. 23 for the 18th annual NewSong Final Competition. 

Inspired by artists ranging from Buck Owens to Joni Mitchell, and the bluegrass community she came of age in, Jobi writes songs that meld classic country sounds with modern sensibilities. Her Debut EP “Strawberry Wine” is an ode to the women of country music she grew up singing along to in her bedroom, and is streaming everywhere now.  

We asked Jobi about her musical inspiration, songwriting process and what music news she has coming up in the Q&A below. 

Connect with Jobi on her websiteFacebook page, Twitter and Instagram. For more information on attending this event, please visit our Facebook event page. Purchase tickets to the NewSong finals at Isis Music Hall on Nov. 23 here

What are your most significant musical/artistic inspirations?

My greatest musical influences draw from classic country and Americana music. I’m specifically drawn to female artists and songwriters like Dolly Parton and Emmylou Harris, as well as their contemporaries, such as Lucinda Williams, Patty Griffin, and Kacey Musgraves. I am also very inspired by songwriters and artists who heavily draw from roots genres, such as Bruce Springsteen and Joni Mitchell.
 

What is your songwriting process like?

I am primarily lyrically driven. I suppose that comes as a result of steady diet of Americana, country, and singer-songwriters all throughout my childhood. In general, I try to shape the melody and chords around the lyrical or emotional idea I have and really try to channel just what that experience or feeling sounds like. However, I feel every song has its own way it wants or needs to be written, and I and am always seeking out and discovering new ways of songwriting.
 

What was your reaction to being named a NewSong finalist?

I was super surprised and, of course, excited! It’s a real talented crop this year, and I think I’m one of the youngest — if not the youngest — artist to be selected so I’m extra honored and excited to cultivate new friendships with writers of all ages from all over the country.
 

What music news would you like to share with readers?

I released my debut EP “Strawberry Wine” last winter, and am planning on releasing some new singles this spring. I’ll be preforming at Swallow Hill Music on December 21st, where I grew up taking mandolin and guitar as a teenager in addition to several Boston area shows earlier in December and early 2020.
 
 
For more information on attending the NewSong Competition event, please visit our Facebook event page. Buy tickets here