Archive for the ‘Contest’ Category

Q&A WITH NEWSONG FINALIST WOOTEN HILL

Friday, October 23rd, 2026

Kim Hill, a Grammy-nominated and multi Dove Award-winning artist with #1 hits and a CMT/VH1 chart-topping country video, built her career as a powerhouse lead vocalist and storyteller. Paulette Wooten is an award-winning film composer, songwriter, international touring musician, and multi-instrumentalist—the quiet force behind the music, shaping their sound in real time through guitar, keys, harmonica, and live looping.

Now based in the Blue Ridge Mountains of North Carolina, Wooten Hill creates music that is acoustic, harmony-rich, and rooted in storytelling. Their sound is intimate but expansive, driven more by voice and connection than production—music that makes room for both quiet moments and powerful emotional resonance.

Musicians Kim Hill and Paulette Wooten

NewSong: What sort of music was playing in your house when you were growing up?

Kim
:Lots of singer-songwriters—James Taylor, Jim Croce, John Denver. I grew up loving songs that told stories.

Paulette: We didn’t have much music playing in the house, but our car had a very exclusive rotation of two 8-tracks: Elvis Presley and Kenny Rogers. That was pretty much it. Apparently, that’s all we needed!

What was your journey to music—were you classically trained? From a family of musicians? Self-taught?

Kim: I’m self-taught. No real musicians in my family, although my mom did play the autoharp, so maybe I should give her some credit!

Paulette: My mom played piano, and I wanted to be just like her. I started taking lessons as a kid and never really stopped. I eventually went to college for piano performance. So between the two of us, we’ve got one classically trained musician and one who figured it out as she went!

What is the first song you wrote that you were proud of, and why?

Kim: A song called “Round and Round.” As a young artist in Christian music, I lived in a world where certainty and having the right answers were important. This song was my way of questioning some of that and beginning to find my own voice as a songwriter.

Paulette: I co-wrote a song called “Dance,” which was this worship-meets-EDM pop song. It ended up being recorded by several artists and became a hit in Europe. I’ll never forget standing in front of 10,000 young people singing and dancing to something I’d helped write. My heart just about exploded. There’s nothing quite like watching a song take on a life of its own.

What is your writing process like—lyrics first or music? Where and how do you write?

Wooten Hill: Most of our songs begin with a conversation—something we’re living through, wrestling with, or a story someone has shared with us.

Paulette: Usually, a musical idea comes first—a chord progression, a melody, or sometimes a little lyric that won’t leave me alone. I’ll start humming, making up words, and eventually figure out what it is I’m trying to say. Writing has always been a way for me to process life. It’s where I go to get quiet enough to hear what’s going on inside me.

I tend to write alone at first, then bring the song to Kim. She’s got an incredible ear for what works and what doesn’t, especially when it comes to singing something. She can change one word and suddenly the whole line works better.

Kim: I’m the resident tweaker! Paulette brings me these beautiful songs, and I get to come in and say, “What if we tried this?” Sometimes she even likes my suggestions!


Share a musical adventure from this summer.

Wooten Hill: This summer, we finally made our debut album, How Did We Get Here, and honestly, it felt like a pretty big moment for us.

We both had long careers in Christian music, but sixteen years ago, we fell in love, and life took a turn neither of us saw coming. We stepped away from the music world we’d always known and began building a life together. Those years have been full of love, loss, change, and a whole lot of figuring things out. Somewhere along the way, we began finding our way back to music—and to ourselves.

Q&A WITH NEWSONG FINALIST JASON PIQUETTE

Monday, October 12th, 2026

Jason Piquette is an indie folk singer-songwriter from Florida, creating heartfelt songs that blend warm acoustic sounds with honest, reflective lyrics. His music explores themes of hope, connection, and finding light in everyday moments. With tracks like “Hearts for Sale,” “Drop the Gun,” and “From the Ground,” Jason invites listeners into an intimate space where emotion and storytelling meet.

Jason Piquette

NewSong Music: What sort of music was playing in your house when you were growing up?

Jason: My dad knows the words to just about every song made in the ’70s…  I also remember a lot of Jars of Clay and Relient K being played.

What was your journey to music?
My dad taught me how to play some Neil Young songs on guitar when I was 13, and that really got me started. I started falling in love with songwriting a few years later while listening to Jack Johnson, Damien Rice, and Dave Matthews albums on the way to school.

What is the first song you wrote that you were proud of, and why?
It was a song called “Postcard” that I’ve actually never really played for anyone. It was the second song I ever wrote, and it was the first time I felt how powerful songwriting could be as a way of processing emotions. I think that’s what made it stick with me.

 

What is your writing process like?
I usually write while playing guitar. I’ll just start mumbling out words and phrases that come from deep in my gut, and then I’ll slowly try to refine them and make sense of what I’m actually trying to say. Usually I don’t really know what a song is about until I’m already in the middle of writing it.

Share a musical adventure from this summer with us.
This summer I got to open for an artist I’m a big fan of, Thomas LaVine, at two really cool listening rooms.They were such special nights, and they reminded me how meaningful live music can be.

Q&A WITH NEWSONG FINALIST KATE WATERS

Monday, October 12th, 2026

Kate Waters is a neurologically-trained and Board-Certified music therapist. She has used music to help autistic and terminally ill children, veterans with PTSD, survivors of strokes, and people of all ages with developmental disabilities. Her passion for its power is evident, and personal. Hope—specifically the kind that’s hard fought-for—is the undercurrent of Waters’ new full-length album. She finds light in every hardship, and never spares us the dirty, difficult work of searching for it. That honesty to the process lends even her most anthemic offerings a human authenticity, the feeling that we’ve stood by her side in every battle, and she, ours. 

Kate Waters

NewSong Music: What sort of music was playing in your house when you were growing up?
Kate: My grandparents were classical violinists, and my parents were guitar-strumming singing hippie pastors. So, I was trained with classical music—raised on all the folk greats (Bob Dylan, Joni Mitchell, James Taylor, Simon & Garfunkel, and Peter Paul & Mary, to name a few), and singing hymns every week and prayers before dinner. My dad was also into bluegrass, country and jazz (Alison Brown, Alison Krauss, Garth Brooks and Paul Winter) that influenced me. I fell asleep to either Enya or Ace of Base every night. And while I had a bajillion tapes and CDs, it was the women singers that I loved the most—The Spice Girls, Alanis Morissette, The Dixie Chicks, Shania Twain, Celine Dion, and Whitney Houston.

What was your journey to music?
Music was a huge part of my world and my family’s world. Going to the symphony and musicals with my mom, singing in the car with my dad, performing and competing as a pianist and choral/solo singer. Some of my favorite memories growing up were watching my parents play guitar and lead songs as a family together around the campfire. I continued my studies and got my college BME degree in music therapy, with piano as my primary instrument.

What is the first song you wrote that you were proud of, and why?
My cousin and I were collaborators early on, and our first family hit was “One Peace” at age 6—covered later by my great aunt as a gorgeous solo piano piece. Though I think we probably preferred our other tune, “Dum de Dum Stupid Head” 

 

 

What is your writing process like?
It’s such a flowing, delicious process, never exactly the same. Sometimes I’ll write from a poem, or hear a musical idea, or groggily record into my iphone voice memos—both music and words—as I’m falling asleep. Typically when I’m ready to write the whole song, it falls out. Then I’ll do some tweaking. I primarily use acoustic guitar and piano to compose, and both bring out different aspects of my writing. I don’t need any particular location, though travels can inspire me for sure.

Share a musical adventure from this summer with us.
Well, I released an album (Some Comfort) this summer—a 20 year labor of love, and my first time really trying to get it to the world at large. So, a long undertaking full of hard work. The shows were a lot of fun. But what stood out to me was one serendipitous opportunity to record another album with two friends in New Mexico, about a month before Some Comfort‘s release. We did mostly live takes as a trio, with lots of harmonies. I was so nurtured by that experience—in the midst of all of this “other stuff” around a release, for most of a year—to just get back to making music. I’ve decided now that’s the only way to survive the release process—make sure to record a whole other album before your current album is released. 

Q&A WITH NEWSONG FINALIST SARA BETH GO

Tuesday, October 6th, 2026

Sara Beth Go is a Nashville-based songwriter and mental health therapist writing feel-your-feelings folk-pop with wit, warmth, and unnerving emotional insight. With the panoramic perspective that comes from making it to your forties alive (no small feat), her songs carry the healing magic of a “therapeutic songwriter’s pen,” weaving together catchy hooks with unflinching honesty. This approach is heard in “Hurt People,” recorded and released by Tim McGraw in 2023.

Sara Beth Go holding an autoharp.

NewSong Music: What sort of music was playing in your house when you were growing up?

Sara Beth: My mom and dad didn’t play a lot of music throughout my childhood.* They say it’s because we four kids were noisy enough (rude). With that in mind, here’s what I remember:

1. A Michael Jackson tape, Off the Wall

2. My parents had jumped on the Jesus train right before I was born so they found and played Christian music, specifically a trippy looking dude named “Psalty the Singing Songbook.” He was a big Blue Hymnal that sang catchy Bible songs, and he was often accompanied by a mouse named Charity Churchmouse — I remember she had a squeaky voice but it was so pretty. I looked him up recently — he is in this huge blue book costume with tons of blue makeup on — face and arms painted blue and absolutely terrifying.

3. Any Disney movie — I specifically remember forcing my sister to sing Fievel’s part from Fievel Goes West while we “performed” the song “Somewhere Out There.” We jammed hard to that.

*Side note: I’ve since learned that my father went to Woodstock to see Janis Joplin, and my mother saw The Beatles play live at City Park in New Orleans. Dad remembers leaving early because he couldn’t get a cop to help him when someone hit his car, and mom just remembers a lot of screaming.

What was your journey to music?
Definitely no musicians in my family. If he does sing, Dad will shift octaves without even knowing it, it’s wild. 

I didn’t care about school AT ALL — I didn’t pay attention and my grades reflected it. HOWEVER, I was great in my music classes. I went to an all-girls school in New Orleans and they really valued the arts, so my skills were fostered and celebrated there.* 

Mom signed me up for piano lessons with Joni Jensen when I was 9. She was kind of mean but probably because I didn’t practice. I took the Suzuki method which focuses on ear training, so I got really good at hearing something and playing it. This is when I started writing things on the piano.

I was initially going to be a famous actress so I starred in all the school plays. I really wanted a double pierce when I was 13. My parents told me I couldn’t double pierce my ear until I was 16, so I did it myself with a rusty safety pin. My mom caught me when she saw my bright red, infected, and throbbing ear — the punishment was that I couldn’t be in any plays for a year. So I detoured and moved towards becoming a famous singing sensation instead. 

In high school I went to NOCCA (New Orleans Center for the Creative Arts) to study classical voice music. I had this really terrifying teacher named Ms. Alfaro that I eventually grew to adore. She changed everything for me vocally. She would take her shoes off and throw them at us if we were talking, screaming “QUIET” to the class. She was this huge lady perched on top of a tall chair and kind of looked like big bird. Ms. Alfaro demanded excellence and I really built confidence and learned to sing there. When I made my first CD, I gave it to her but she didn’t open it because she was mad I didn’t pursue classical voice. 

*I will say in the 8th grade, I didn’t get the part of Dorothy in The Wizard of Oz. I was the Tin Man, and I STILL resent my music teacher for that. I killed my Dorothy audition but Charlotte got the part.

What is the first song you wrote that you were proud of, and why?

“Squiggly Eggs” — it was more of a jingle, I was probably 7 or 8 years old. We were on a camping trip and fixing eggs and I decided we needed a theme song for the moment. It is pretty catchy. I’m proud of it because children teach us better than anyone how to capture an idea and simply execute it in the moment without all the demons and critics and noise in our heads that keep us from just CREATING.

What is your writing process like?

I am generally very literal in my songwriting so if I see something out in the world that hits me, I’ll put the idea in a note on my notes app called “Ideas” (the ideas are more original than the title of the note, ha!). I write on my guitar and it’s generally lyrics and music at the same time. I have a decent felt-sense that helps me know if something is working or not. As far as location, it’s not just one space. Another tool I use in songwriting is Logic. It is my digital audio workstation (DAW) that I use to produce my songs when I’m ready to record them. There are times I’ll start with the music library because it has funky sounds that inspire me differently. 

Share a musical adventure from this summer with us.

My husband and I both separately made it into the Telluride Bluegrass Festival’s Troubadour Songwriting Contest, which was amazing on its own (he won 4th, I won 5th, I’m totally ok that he beat me). On our way to the fest, we stopped in Manitou Springs and played a show in our friend’s garage. He curated the space with old TVs and VCRs, polaroids, old setlists, and hidden tchotchkes everywhere. Absolutely magical. We had three openers and they were all comedians. It was probably the most fun I’d had on stage in years. You could just feel the open-heartedness of the audience — they were hungry for art and joy and entertainment. And we were hungry to play. We were laughing and crying but mostly laughing and connecting. There are all these mineral springs around the place that are healing to the soul so I blame those, even though one of them apparently tastes like blood.

Q&A WITH NEWSONG FINALIST ANDREW HOYT

Monday, October 5th, 2026
Andrew Hoyt is a full-time touring singer/songwriter blending folk, pop, and acoustic vibes into a sound that’s both warm and unique. He’s performed at major venues like Wells Fargo Arena and shared the stage with artists such as AJR, Jesse McCartney, David Archuleta and Eric Hutchinson. His latest EP, Kind of Paradise, produced by Nashville’s Lucas Morton and mixed by Micah Tawlks, marks a new chapter in his artistry. The project features songs co-written with acclaimed artists Matt Wertz and Andy Davis, weaving heartfelt lyrics with melodies that feel like sunshine and nostalgia. Andrew celebrated the release with a full-band show at The Basement in Nashville.

Andrew Hoyt headshot

 

NewSong Music: What sort of music was playing in your house when you were growing up? 

Andrew Hoyt: I listened to so many different genres and artists growing up, including Brad Paisley, Jack Johnson, John Mayer, James Taylor, The Cranberries, Fleetwood Mac, Norah Jones, and many, many more. I feel super lucky to have listened to a wide array of really great music during long family car rides and dinner at home.

What was your journey to music?

We had a piano and a drum kit growing up, and I was a percussionist in school and sang in choir! I bought a ukulele from Ron Jon Surf Shop in middle school and didn’t start tinkering with it until I was a senior in high school. It was the perfect start to songwriting for me — I wrote a song every day — and was truly infatuated. It was the spark that has kept my musical fire going for so long.

What is the first song you wrote that you were proud of, and why?
I’ve written many songs I was proud of, specifically those that inspired me to keep creating, but I think the original I’m most proud of so far is “Moody.” I remember getting that “feeling” again — a rush of emotion as I wrote each line and discovered every chord. I miss that heavy pull to write a song, as it doesn’t come to me as often anymore. I think I wrote “Moody” in an hour or two, thought it was ridiculous and silly, and didn’t share it again until a year or two later. Now I play it at every live show.


What is your writing process like?
I typically like to establish a fun and interesting groove on an instrument; rhythm is key, as well as a few interesting chord choices or voicings. That allows me to establish a good foundation to create a melody and riff for a bit. I’m starting to produce a little at home and I love using my SM7B for a cleaner sound while I write instead of just using my phone mic for voice memos. I wish I could write a song anywhere, because I am a very visual person, and hate being in the same physical location every time I write. Maybe I should go on more hikes and take my guitar or uke with me!

Share a musical adventure from this summer with us.
I had so much fun with my band this summer — we opened for Jesse McCartney a few months ago. The show sold out, and I sold out of merch, too. We also played on the Chicago Riverwalk between passing boats, people walking by, and hundreds of folks gathering around and watching. Those are the perfect moments a singer-songwriter dreams of. More of those experiences in 2027 please!

Q&A WITH NEWSONG FINALIST ARTEMIS MONTAGUE

Thursday, October 1st, 2026

Artemis Montague is a producer and musical theatre writer as well as the creator of the blog “Reflections of a Life Renewed.” They have over 200 songs, one of which was a finalist for the 2022 Write Out Loud Contest (“friend”), received an AudioFemme Agenda Grant in May 2023 to record an EP of original music, and have released two songs – “could you (I’m yours)” and “gets none” – as an independent singer-songwriter.

Artemis Montague

NewSong Music: What sort of music was playing in your house when you were growing up? 

Artemis Montague: Depends on which parent I was with, but it always varied, no matter what. As I recall, my father liked gospel stuff like Kirk Franklin, southern gangsta rap like DMX, and ’90s R&B like Lauryn Hill. My mom liked The Carpenters, Freddy Mercury and Queen, and seemingly random Top-40 songs from across generations that I wouldn’t have expected. My step-father likes Phil Collins, Muse, and Rage Against the Machine. But, yeah … it was always very wide ranging, in terms of genre, lyricism, and intensity.
 
What was your journey to music — were you classically trained? From a family of musicians? Self-taught? 
I wrote a song called “My Way” in third grade for a girl-group that I was in (called “HFM”) that I thought was gonna take off. Then I played the flute for maybe three months when I was 9. However, I was told I would never be good at it and that I should just give up. So, I switched to chorus that same year and started singing more often and writing more songs. I sang in choirs until my senior year of high school, then gave up musical theatre and music formally, opting for a Women and Gender Studies degree. I was still writing but I wanted a Medical Sociology PhD, a Human Rights law degree, and to work for the UN. However, I started writing my rock, gospel, and R&B musical She Sings Me Home in 2017, embedded the show with knowledge sourced from my degree and lived experiences, and never looked back. It should be noted that I was a quick music learner but always by ear so I still can’t play a tangible instrument nor can I read music fluently. I’m learning all that now, but I have always written music using just my voice. I just now layer my voice in recording software. 
 
What is the first song you wrote that you were proud of, and why? 
“take me away” — it was the first song that I think was in my voice as a writer, in a genre that feels truthful for me, and that had a level of maturity and lyricism that previous songs didn’t necessarily have. The song was originally about a man but I later made it queer and put it in She Sings Me Home, my rock, R&B, and gospel musical about two young Black women — one transgender, the other cisgender — falling in love in an under-21 mental health ward.
 
What is your writing process like? 
It depends. A musical lyric phrase usually comes first. With “take me away”, it was “and if you wanted the sun, I’d burn my hands/forget any prior plans/and give it to you … as long as you take me away…” Then the rest of the lyrics and melodies and harmonic structure come to me within 30-45 minutes. I do not yet play a tangible instrument, but it has to feel organic and come quickly to me. Otherwise, it feels trite and forced. I am inspired by words, history, and feeling; I have been described as lyrically poetic, viscerally hopeful, and a wistful writer before. I think I could easily write in virtually any genre that Black people in the Western Hemisphere created or popularized, but I like blues, gospel, and rock the most as they are truth-telling genres that ask us to reflect on ourselves and society. I love my people, our lineage, and our music generally, though. But, yes, I can sit down and write a song, but there has to be a spark no matter what. Or a strong prompt.
 
Share a musical adventure from this summer with us. 
I performed in and produced a concert of my music from across my interests with Black, queer, and or trans singers and instrumentalists at Joe’s Pub at NYC’s The Public Theater on July 29. It was my composer debut there, having sung other people’s work there previously but never my own. Hearing these amazing people with me singing my music with support from friends, family, and random people I didn’t know before, it was the first time I felt fully in my body, in my voice, and in my place as a singer-songwriter. It was a beautiful night that got amazing feedback and praise, was recorded so I could share the memory with folks not in NYC, and made me feel so proud and excited for my progress as a writer, performer, and person.

Q&A with NewSong finalist Your Friend Rachel

Tuesday, September 29th, 2026
Your Friend Rachel is first and foremost a crafter. Of lyrics, melodies, stories, and art made from trash. Her songs speak to the dissonance of being human in an increasingly inhuman world. A songwriter since childhood, her work blossomed in collaboration with spouse Pat Oberstaedt, a multi-hyphenate instrumentalist and music producer. Together, they formed the comedic folk duo The Gender Gnomes, releasing two EPs, a full length album, and several singles including “The Wedding Song,” which earned them their five minutes of TikTok fame. As a duo, they’ve toured with chamber-pop group Beche and collaborated with tour de force writer-performer Patty Irwin on her one-woman show “Country Queen.” Having accumulated a plethora of original songs spanning genres, the two have turned their talents to Rachel’s solo project. Your Friend Rachel’s debut album Silly Little Human came out last week!
 
NewSong Music: What sort of music was playing in your house when you were growing up?
Your Friend Rachel: The sound waves in my house growing up were a wonderland of classic rock, funk, folk, jazz, and show tunes … until my brother and I became teenagers and filled the house with pop-punk and ska.
 
What was your journey to music — were you classically trained? From a family of musicians? Self-taught?
My parents are both singer-songwriters and played in a party band for most of my childhood. I grew up sitting in with them on stage, which I hated at the time (now I’m trying to convince them to come on tour with me!). While they didn’t force me into music, I think they would have been disappointed if I’d wanted to be a doctor or a lawyer. I got into songwriting, then opera, then theater, then opera again, then theater again, and finally back to my truest love, songwriting. Mom and Dad are very proud (and they co-produced my album).
 
What is the first song you wrote that you were proud of, and why?
When I was 12, I wrote a song called “When You’re 5” as part of an album I made for an 8th grade English project (yea, I was a nerd). I don’t know if I was proud of it at the time, but I heard it again recently and was shocked by how well I captured the feeling of yearning for childhood freedom while I myself was still a child. I’ve always been very dramatic about time. 
 
What is your writing process like?
Lyrics and melodies almost always come to me together, out of the blue. Then I try to listen to what’s in my head to sense the feel or vibe a song wants. Then I usually grab my spouse and writing partner, Pat, and they figure out the chords for me because I slept through music theory in college.
 
Share a musical adventure from this summer with us.
This is the year I finally got my album made and launched my solo project! Honestly, the weirdest adventure this year has been creating content to promote my music online. The internet is a funny place, but learning how to be myself authentically there has made me want to show up more authentically in every aspect of my life. 

Announcing the 2026 NewSong Finalists

Friday, September 25th, 2026

Fist, a heartfelt thanks to ALL of the talented musicians and songwriters who have participated in this year’s program! The dedication to your craft has continued to inspire us for the last quarter century.

And, a huge congratulations to this year’s finalists, who will join us in Asheville, NC, to perform, network and compete for the grand prize of the 25th annual NewSong Music Competition, presented by Citizen Vinyl and held Sunday, October 25 at The Grey Eagle. 

Andrew Hoyt (Chicago, IL)

Andrew Hoyt is a full-time touring singer-songwriter blending folk, pop, and acoustic vibes into a sound that’s both warm and unique. His latest EP, Kind of Paradise, features songs co-written with acclaimed artists Matt Wertz and Andy Davis, weaving heartfelt lyrics with melodies that feel like sunshine and nostalgia. Andrew celebrated the release with a full-band show at The Basement in Nashville.

Artemis Montague (Rockville, MD) 

Artemis Montague is a Producer, Musical Theatre Writer as well as the creator of the blog, “Reflections of a Life Renewed.” They have over 200 songs, one of which was a finalist for the 2022 Write Out Loud Contest (“friend”), received an AudioFemme Agenda Grant in May 2023 to record an EP of original music, and have released two songs – “could you (I’m yours)” and “gets none” – as an independent singer-songwriter.

Bad Hints (Lancaster, PA) 

Bad Hints is the project of singer-songwriter Jes Plain, whose most recent single is “Action Potential.” Of the song, Jes writes, “On the day I wrote Action Potential, I played my guitar so loud it felt like it would swallow me whole. The words ‘wall of sound’ were always in my mind for this one.” Bad Hints released Pure Show in 2024, the single “Things in the Dark” last October, has an album release slated for November.

Jason Piquette (Black Mountain, NC) 

Jason Piquette is an indie folk singer-songwriter from Florida, creating heartfelt songs that blend warm acoustic sounds with honest, reflective lyrics. His music explores themes of hope, connection, and finding light in everyday moments. With tracks like “Hearts for Sale,” “Drop the Gun,” and “From the Ground,” Jason invites listeners into an intimate space where emotion and storytelling meet.

Kate Waters (Houston, TX) 

Hope—specifically the kind that’s hard fought-for—is the undercurrent of Kate Waters’ new full-length album. She finds light in every hardship, and never spares us the dirty, difficult work of searching for it. That honesty to the process lends even her most anthemic offerings a human authenticity, the feeling that we’ve stood by her side in every battle, and she, ours. So when Waters promises a happy ending on the stunning single “It Gets Better,” we believe her.

Logan Vath** (Norfolk, VA) 

A 2026 Kerrville New Folk Winner, Rocky Mountain Folks Fest Finalist; Rocky Mountain Singer Songwriter Festival Finalist, and winner of CF Martin’s “Lifespan” songwriting competition, Logan continues to perform at singer/songwriter festivals nationally: including showcases at 30A Songwriter Festival,  and an invitation to The Foundation Stage at the acclaimed Newport Folk Festival.
**2026 Early Bird Finalist

Sara Beth Go (Nashville, TN) 

Sara Beth is a 2025 Kerrville New Folk winner, a 2024 Kerrville New Folk finalist, and a top five finalist in the 2025 Rocky Mountain Songwriting Contest. Drawing from her colorful upbringing in New Orleans, she began creating stop-motion animations in 2022 to accompany her music. The result is a live show that feels less like a performance and more like an experience — something akin to a really good therapy session.

Your Friend Rachel (Brooklyn, NY)

Your Friend Rachel is first and foremost a crafter. Of lyrics, melodies, stories, and art made from trash. Her songs speak to the dissonance of being human in an increasingly inhuman world. A songwriter since childhood, her work blossomed in collaboration with spouse Pat Oberstaedt, a multi-hyphenate instrumentalist and music producer. Your Friend Rachel’s debut album Silly Little Human is currently in production.

Q&A with Early Bird Finalist Logan Vath

Monday, August 31st, 2026
This year’s Early Bird Finalist is Logan Vath — a 2026 Kerrville New Folk Winner, Rocky Mountain Folks Fest Finalist; Rocky Mountain Singer Songwriter Festival Finalist, and winner of CF Martin’s “Lifespan” songwriting competition. Logan lives in Norfolk, Virginia with his wife and two boys. He is actively working on a forthcoming release of songs and enjoying select performances both regionally and nationally.

Logan will join seven other yet-to-be-selected finalists at the NewSong Performance and Songwriting Competition finals, presented by Citizen Vinyl, in Asheville, NC, on Sunday, October 25, at The Grey Eagle.

Singer-songwriter Logan Vath performs with a guitar.

NewSong Music: What attracted you to submit your song(s) to the NewSong Competition?

Logan Vath: NewSong has come up a number of times in talks with fellow songwriters, especially at some of the other “competitions” I’ve been at in the last year. I’m familiar with some of the past winners’ music and hold it in high regard, so it seemed like a good one to try and submit to. When you have a family and a straight job, things like this can be excellent ways to meet new folks and keep moving the needle forward. Plus, who doesn’t want to be in Asheville in late October?

What sort of music was playing in your house when you were growing up?

At my dad’s house: Neil Diamond, ’90s Radio Country.

At my mom’s house: The Bodyguard soundtrack, Shania Twain, Springsteen. 

In my bedroom: I was heavily influenced by my sister’s taste which was everything from nu metal to hip-hop to grunge to punk. I spent a lot of time hiding most of my tapes from my parents so they weren’t confiscated. 

What inspired you to become a songwriter?

I’d been drawn to writing as a form of expression most of my life. After playing in a few bands in my youth, I began listening to more music that led me down the songwriting path. Being from Nebraska, everything that was happening on Saddle Creek was very impactful to me as a young person. 

If you could partner with another living songwriter to co-write a song, who would it be?

If it wasn’t one of my many musical peers that I admire, listen to, and actually have access to, I would probably say Taylor Goldsmith of Dawes. I’d enjoy that a lot. 

Share a musical adventure from this summer!

Being a Kerrville winner this year was a very neat experience, but cooler than winning was just the general hang with other writers. Learning about everyone’s walks of life, their art, their families, etc. I maintain that the reason I continue to do this is because I’m so intrigued by all the other people doing it. Separate from my own work, my wife and I attend Newport Folk Fest annually and it’s always one of my favorite places to reconnect sans children and experience new sets. Wednesday was a highlight this year!

Do you have any forthcoming projects to tell us about? 

I am continuing to record in my home space as we speak and plan to have these songs released later this year or early next year. I’ll head back to Texas for a run with the other Kerrville winners in November and I’m SO excited to make an overdue trip to Asheville to be part of NewSong. 

Logan Vath Named ‘Early Bird’ Finalist

Wednesday, August 19th, 2026

Congratulations to our Early Bird Finalist Logan Vath!

A 2026 Kerrville New Folk Winner, Rocky Mountain Folks Fest Finalist; Rocky Mountain Singer Songwriter Festival Finalist, and winner of CF Martin’s “Lifespan” songwriting competition, Logan Vath continues to perform at singer/songwriter festivals nationally — including showcases at 30A Songwriter Festival, and an invitation to The Foundation Stage at the acclaimed Newport Folk Festival.

Singer-songwriter Logan Vath performs with a guitar.

Songs from Logan’s EPs In the Presence of the Kingdom and Lost on Leaving have found themselves on Spotify’s “Roots on the Rise” and “Fresh Folk” playlists as well as Apple’s “Breaking Singer/Songwriter.”

Logan lives in Norfolk, Virginia with his wife and two boys. He is actively working on a forthcoming release of songs and enjoying select performances both regionally and nationally.

Logan will join seven other yet-to-be-selected finalists at the NewSong Performance and Songwriting Competition finals in Asheville, NC, on Sunday, October 25, at The Grey Eagle. Tickets on sale soon!