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Posts Tagged ‘Echo Mountain Recording Studios’

Mel Bryant records new EP with NewSong Recordings

Saturday, January 18th, 2020

Mel Bryant records new EP at Echo Mountain Recording Studios.

 

The NewSong team was thrilled to welcome 2018 NewSong Grand Prize Winner, Mel Bryant, to Echo Mountain Recording Studios last month. The songwriter and her Nashville-based band, Mel Bryant and the Mercy Makers, were joined by producer and NewSong founder, Gar Ragland. Melding classic rock and contemporary indie influences, Bryant has compiled a group of songs that tackle big themes, ranging from love and relationships to social justice. 

The opportunity to record at Echo Mountain is part of the musician’s grand prize package, and the EP will be released on NewSong Recordings in 2020. 

Mel took a break from recording to answer a few questions about the upcoming record. 

How would you describe your vision for this new batch of songs?

Mel Bryant: A lot of the songs are justice focused, in a way. There is kind of a dichotomy between the songs that are about, you know, relationship stuff — the really relatable, personal things that everyone goes through … and the songs that zoom out a bit and look at more grand issues that are less personal and more political.

I like to think of things that are political, not in terms of candidates or government issues, but, instead, political as in a woman’s inability to walk alone on a street alone past midnight. That’s a political issue to me, and that is the kind of thing I like to write about. Or the fact that when I was in college, I was scared of being shot on my campus. That’s a political issue, and it’s something that we all have a stake in and we are all worried about and we all want to fix. Those are the things that are important to my music: things that matter. Sometimes things that matter are life and death situations, and sometimes things that matter are when I can’t communicate properly in my relationships. Making those statements in these songs was really important to me. 

 

What has it been like to record at Echo Mountain Recordings Studios?

This has definitely been our best treatment of a recording setup that we have ever had. The crew is so accommodating and patient. The energy in here is amazing. There is such a beautiful ambiance, and the availability of the gear they have here is like nothing we have been able to access before, so from that standpoint it’s been incredible. But also just the feeling of being in that cathedral with stained glass light coming through. And, of course, it sounds amazing. 

 

In terms of sound, how do these new recordings relate to the band’s past work? 

From a sound perspective, the EP is a marriage of the different sides that this band has been developing over the past few years. We definitely have one foot in really classic rock roots, blues, and delta music roots, coming from our guitarist, and then we have the more modern roots of my childhood musical influences and now. We are continually inspired by music being put out and indie rock influences. So certain songs are more in the classic rock tradition, and certain songs are in the modern. Our goal has been marrying those ideas within each song, and within the whole EP, showing that these two things can coexist to create something that isn’t derivative of classic rock or just another indie rock band. We are paying homage to the historic greats and constantly taking in new musical influences and applying that as well. 

For more about Mel Bryant and the Mercy Makers, visit the band’s website. Stay tuned for updates about the new EP release via NewSong Recordings in 2020!

Wilder Adkins releases new single, “Marietta”

Friday, August 17th, 2018

“Marietta” is the latest single from 2016 NewSong Music Competition Grand Prize Winner, Wilder Adkins.

 
Wilder Adkins, Alabama-based musician and 2016 Grand Prize Winner of the NewSong Music Competition, released a new single Friday, August 17. The song is called “Marietta,” and we asked Adkins to share his thoughts on the song’s meaning, his process and what is coming up next for this talented and prolific songwriter. 
 
NewSong: Could you tell us a little bit about the meaning behind the song? 
Adkins: “Marietta” is about someone who has to end a relationship because they know their partner isn’t happy and probably never will be — because they’re always chasing that next big thrill. The singer is “taking a fall,” knowing that he will be blamed, and that’s why he sings “I’m going down.”
 
Was there any particular impetus for writing it?
I was working on some Springsteen covers for a tribute show that I played over in Atlanta, and this was the next song that I wrote. So I think it was influenced a bit by that process and listening to some Heartland rock songs, but it has my own melancholy spin on things.
 

WIlder Adkins and producer Gar Ragland are currently working on a two volume recording project that was recently recorded at Asheville’s Echo Mountain Recording Studio.

In what ways has your songwriting process or point of view changed over time?
I think in some ways I have gotten faster at songwriting. I still take a while to finish most songs, but mainly because I don’t have a lot of free time to work on them. This song came pretty quickly, and I think part of that is because I’ve learned to stop trying to edit myself before putting the words down, as opposed to moving on and editing afterwards.  
 
What musical collaborations are featured on the recording?
My good friend Molly Parden sang harmonies with me. She is a great songwriter in her own right, but also performs frequently with notables such as Peter Bradley Adams, Matthew Perryman Jones, and David Ramirez. A Birmingham native, Jamison Harper, played the Baritone sax. Jamison is a visual artist, as well, so he is a very multi-talented guy. 
 
What’s next for you in your music career?
After this song releases, I am putting out a cover of Springsteen’s “Dancing in the Dark” next month. I’m also looking forward to finishing up a recording project at Echo Mountain Recording Studios in Asheville this fall. 
 

 
Listen to “Marietta” on Spotify.
Listen to “Marietta” on iTunes.
Stay up-to-date with Wilder Adkins at his website.

#WeAreNewSong :: Crys Matthews

Wednesday, August 15th, 2018

Every year, NewSong receives countless song submissions from talented artists across North America and beyond. Only a handful are chosen each year as finalists. And while not all of these finalists take home the grand prize, all of them leave a lasting impression on the NewSong team. Supporting and fostering new and as-yet-undiscovered musicians is what NewSong is all about, which is why we aim to celebrate past finalists and winners in our new video series, #WeAreNewSong. 

Crys Matthews is one of those artists who did, in fact, take home the grand prize in 2017. Watch our interview with Crys to learn more about her NewSong experience and what drives her songwriting. 

Crys Matthews is the second NewSong artist featured in the series, and we have been thrilled to continue working with this talented songwriter since her grand prize win in 2017. As recently as July 2018, Crys co-wrote and recorded a new single with fellow 2017 NewSong finalist David Robert King at Echo Mountain Recording Studios. Producer and NewSong founder, Gar Ragland, was at the helm.

To call Crys “busy” might be an understatement. In August 2017, she simultaneously released both a new full-length album, The Imagineers, and an EP, Battle Hymn For An Army Of Lovers. These collections showcase two sides of Matthews’ dynamic songwriting; The Imagineers is a selection of thoughtful songs about love and life, while Battle Hymn For An Army Of Lovers tackles social justice themes.

We hope you follow Crys’s career, as we will, and check out her work on Spotify and iTunes

To stay up-to-date with Crys’s news and schedule, visit her website

Crys Matthews and David Robert King team up to record new single

Monday, July 30th, 2018

Finalists often tell us that one of the best perks about being a part of the NewSong Songwriting Competition is having the opportunity to meet likeminded songwriters. The spirit of the competition is far from cut-throat and often opens doors for collaborations and networking, which was certainly the case for songwriters and 2017 finalists Crys Matthews and David Robert King. The duo met at Echo Mountain Recording Studios in late July with NewSong founder Gar Ragland to record a new single, “Have Mercy.” 

We took some time to talk to the artists about their songwriting processes and experiences with collaboration. 

Q&A with Crys Matthews and David Robert King 

NewSong: How did this song collaboration come about? 

David: I woke up one morning with the first verse running through my head. I had been digesting the 24-hour news cycle for too many days in a row and was crushed. Specifically, by the separation of families along our southern border. This was different than my usual introspective and dark stuff, it had an inherent hope to it. I immediately thought of my immensely talented friend Crys, who I met through the NewSong community. I knew her voice and perspective would take the song where it needed to go.

Crys: David and I met during the NewSong finals back in November. I loved his style and especially his voice (it’s so reminiscent of Tom Waits) and his guitar playing is incredible. We kept in touch after that night at Lincoln Center in the hopes of getting to become better friends and share a show or two. He reached out to me not long after the family separation crisis started and sent a snippet of the song. We went back and forth — adding, subtracting, shaping, reshaping — until it felt like we had it right.

How would you describe the meaning and/or impetus behind “Have Mercy”?

Crys: My mom, who is a preacher, talks to me all the time about how hard she is praying for our country these days with all of the turmoil and despair that seems to be running rampant. The song to me just feels like that prayer, a sincere hope that we will get through this chapter the way we got through the 50s and 60s and 9/11 and countless wars and everything else that America has had to endure and overcome.
 
David: [The song expresses] my thoughts on what America can be if we turn on all the lights, expose the shadows, and put down our remote controls and iPhones and stand up together against injustice. We need to face our demons, current and past, and make things right. We need mercy
 
What has it been like to work together on this project? 
 
David: Crys got it right away. We didn’t discuss the song or the message. I just sent her what I had (first verse and chorus) and she went to work. It usually takes me months or years to write a tune. Doing this with Crys, it took days.
 
Crys: It has been wonderful! It’s only my second co-write, and I’m so grateful to David for this chance to help bring some tenderness and beauty to people.
 
Stay tuned for “Have Mercy,” the new song from Crys Matthews and David Robery King. For more information on Crys Matthews, visit crysmatthews.comFor more information on David Robert King, visit davidrobertking.com.
 
 
 
 

Five Questions with Blue Yonder on the band’s new full-length album ‘Rough and Ready Heart’

Friday, June 8th, 2018

 

Blue Yonder’s ‘Rough and Ready Heart’ is out June 9, 2018.

 

Charleston, West Virginia-based trio Blue Yonder—John Lilly (vocals/songwriter, rhythm guitar), Robert Shafer (electric guitar), and Will Carter (acoustic bass, harmony vocals)—are set to release their second full-length album, Rough and Ready Heart, on NewSong Recordings June 8.

The album, which is comprised of 12 original songs, offers a range of Americana—honky-tonk to swing, rockabilly to bluegrass. Carter says the band strove to record songs that called on the “unifying power of country, folk, blues, and swing music, to speak honestly about many of the trials and triumphs that give life meaning.”

The West Virginia band has shows scheduled up and down the east coast, from Asheville, NC to Nova Scotia. “As a band that has honed it sound close to home, we’re looking forward to finally bringing our sound to new audiences over the next several months,” says Carter.

We spoke with bassist Will Carter to learn more about the band, the new album, and the inspiration behind it. 

1. How would you describe your sound on this new album? Is there a story behind the name, Rough and Ready Heart?

The recording tells a series of stories about living, losing, and loving along life’s back road highways, set to a broad array of Americana musical traditions — country, folk, blues, and swing. Though the most of the characters featured in these stories are dealing with more trials than triumphs, the toe-tapping music and thoughtful lyrics convey more of a sense of dignity than despair, and an openness to future positive possibilities. “Rough & Ready Heart” is the song that speaks most explicitly to that get-back-on-the-horse again spirit of engaging with whatever life throws at the characters featured in our songs.

2. Could you speak to your experience recording the album at Echo Mountain Recording Studios in Asheville, NC?

Having a great team made it a wonderful experience. It all started with our producer Gar, who did everything from help us choose the songs to coordinate the studio sessions to arrange for lodging. And it was so helpful having Clay work the board — he had an great combination of technical proficiency and easy-going laid back, eager-to-please mood. Having Tony Creasman on drums in the studio, who has played with so many big names in Nashville over the years, was such a treat — a really nice guy, and probably the best drummer I will ever have the privilege to play with. And, of course, working with Russ Hicks is amazing — we cover a lot of stylistic ground on the recording and he nailed every piece. It’s easy to understand why he was inducted into the Steel Guitar Hall of Fame back in 2011.

 

Could you share a bit of the band’s history? How did you find one another? How long have you been playing together?

After decades playing and producing primarily instrumental music (bluegrass, old time, celtic, and jazz), I started appreciating great songwriting around the time John Lilly a touring singer-songwriter who had landed in the same town I did, won a couple of national songwriting awards. I noticed that John tended to play solo, so in 2012 offered to join John on bass for some shows.  When that went well, I suggested that we invite another national award-winning local musician, guitarist Robert Shafer, to join us for some gigs. When Mountain Stage host Larry Groce heard the group was playing together, he quickly booked the band for a Mountain Stage performance in early 2013 and was generous enough to offer a complimentary introduction featured on the band’s debut Bittersweet Road recording later that year — recorded in Robert’s living room. To prepare for that first Mountain Stage show, Blue Yonder hosted a couple months of weekly shows at Bluegrass Kitchen, a local Charleston restaurant. Five years later, Blue Yonder still plays every Tuesday night at Bluegrass Kitchen, and chose to dedicate their second recording to the people and scene that has become such an important part of the band’s life.

4. Are there any particular songs you are especially excited about?

We’re mostly excited about the whole package. It brings together a range of emotions, experiences, and musical sensibilities into a coherent whole that features the diverse but complimentary musical traditions of singer-songwriter John Lilly, hot-shot guitar player Robert Shafer, and a contra dance band bass player [Will Carter]. Based on early responses, it seems that “Rough & Ready Heart,” “Windswept,” “Jeannie,” and “You Can’t Get There From Here” are going to be especially appreciated by listeners, but “Standing by the Side of the Road” and “Lost In Yesterday” probably capture best the combination of road trip and heartache that informs so much of Americana music.

5. What do you want fans to know about this release?

That it shows how three middle age white guys with diverse backgrounds can combine to tell meaningful stories that people of all ages and backgrounds can relate to, thanks in part to the unifying power of country, folk, blues, and swing music, to speak honestly about many of the trials and triumphs that give life meaning.

 

BLUE YONDER TOUR DATES

July 6 – Isis Restaurant & Music Hall – Asheville, NC

July 13 – Red Wings Roots Festival – Mount Solon, VA

August 8 – Davis Park – Charleston, WV

August 11 – Myles Center for the Arts – Elkins, WV

August 16 – Queen’s Place Emera Centre – Liverpool, Nova Scotia

Three Questions with 2016 Finalist Brad Cole

Wednesday, November 9th, 2016

BradCole

Brad Cole is a New York City-based folk musician who pens songs about the human condition with wit and raw insight. Hints of roots, old school bossa and rhythm and blues set this singer-songwriter apart, and his soulful lyricism thoroughly impressed NewSong judges.

Cole is a musician poised to take off: in the last eighteen months, he has played over one hundred shows and has shared the stage with artists including Chris Stapleton, Shovels and Rope, Ingrid Michaelson, and more.

We asked Cole about his songwriting process, as well as his hopes and expectations for the NewSong finalist showcase at Lincoln Center. To learn more about this exciting musician and to listen to his latest album, Lay it Down, visit his website at bradcolemusic.com.

What is your songwriting process like, and where do you find inspiration?

I look at the world around me for inspiration, and I guess most of that lyrical inspiration comes from those who have fallen and attempted to pull themselves up to a better place. I probably have a new melody idea every day, so it’s usually a matter of putting those inspirations together with a musical expression that is cool and feels good. Then I give myself time to write and finish. Probably the last songwriting muse to inspire me is Patty Griffin.

What made you decide to submit to NewSong, and what does it mean to you to be a finalist in this year’s competition?

I was in the crowd last year, and the show was inspiring. I loved it. Of course I feel honored that this special tune has been recognized by such a well respected group. As far as music curators go, NewSong is the real deal, so I know I’ll be with a great mix of players in a room full of listeners, so that’s huge. Beyond that, just want to be able to share what I do with a new audience.

What is going on your career that readers should know about?

I released Lay It Down in 2016, and the reception has been amazing. So I’ll be touring the US in 2017, primarily east coast, mid south, midwest, southwest and California. I have an April residency planned for Chicago at The Hideout every Wednesday night, and I’m putting the final plans together for a NYC residency this spring 2017.

To learn more about Brad Cole, visit bradcolemusic.com and follow Brad Cole Music on Facebook and Instagram.

Win A Chance to Perform at the 2017 Sundance Film Festival’s ASCAP Music Cafe + Deadline Extended

Wednesday, October 12th, 2016

FINALmusiccafe-by-erik-philbrook

Win the 2016 NewSong Music Competition and YOU will get to perform at the Sundance Film Festival’s prestigious ASCAP Music Café

JUST ANNOUNCED: The grand prize winner of this year’s 15th Annual NewSong Music Showcase & Competition will now be featured at the 2017 Sundance Film Festival’s prestigious ASCAP Music Café, following in the tradition of previous #NewSongMusic grand prize winners Max Hatt/Edda Glass, Rachael Kilgour and The Cardinal Sons. Learn More.

“The ASCAP and NewSong Music collaboration continues to deliver some of the Music Cafe’s most memorable performances. We’re excited to discover the next great artist to perform at the 2017 Sundance Film Festival.”
 – Erik Philbrook, ASCAP VP & Creative Director  


Extended

We are giving you an extra 48 hours to submit your music!

We’re extending the deadline 48 hours for you to get those new songs submitted into this year’s program over the weekend. The new deadline is now this Monday, October 17 at 11:59 PM EDT.

An Exclusive Offer from Echo Mountain Recording Studios to ALL 2016 NewSong Contest Entrants

Friday, September 23rd, 2016

Echo-Mtn-Studio-Package-700-V2

A special offer from Echo Mountain Recording Studios to ALL 2016 NewSong entrants… Enter and receive FREE studio lodging and discounted studio rates with our exclusive NewSong recording packages!

We’re very excited to once again offer ALL of this year’s NewSong Contest entrants a fantastic opportunity to record at one of the world’s finest destination recording facilities, located in the beautiful Blue Ridge Mountains of Asheville, NC.

2-Day Package – $1900*
3-Day Package – $2,800*
5-Day Package – $4,500*


Ech-Mtn-Collage-600
* Includes studio engineer and complimentary housing at the nearby studio house. 8-hour days. Longer days and analog recording are an additional fee. You must be an entrant to the 2016 NewSong Competition in order to receive these discounted packages.  The final deadline to submit is Monday, October 17, 2016 at 11:59 PM PST. Click here to learn more and enter.

Need a producer? No problem. We’re happy to help connect you with the right team to make your project sound amazing.

Questions? Ready to book? Email us here.

2016 NewSong Music Finalist Ethan Crump Returns to LEAF on October 22

Tuesday, September 20th, 2016

2016 NewSong Music Finalist Ethan Crump Returns to LEAF on October 22

EthanCrump-NewSongMusic.jpg

 

Ethan Crump is a Hartwell, Georgia-based musician who pens country-folk songs with a world weariness and wisdom beyond his nineteen years. The singer-songwriter’s straightforward yet poignant tunes caught the attention of judges at last year’s NewSong Music competition at the Lake Eden Arts Festival (LEAF) in Black Mountain, North Carolina. He won first place that day, which means festival-goers will have another chance to watch this promising young musician perform at LEAF on Saturday, October 22, 2016.

Crump released his debut EP, Hellfire and Amazing Grace, this summer. He counts John Prine and Guy Clark among his influences, but says his rural country upbringing — including afternoons spent with his grandmother — had more impact on his songwriting than anything else. The EP’s impressive title track is inspired by his grandparents, who were born into the Great Depression.

Crump says that he isn’t “competitively inclined,” but he submitted his songs to NewSong Music anyway, at the urging of a friend who had participated in past years. “Despite my preconceived notion that competitions are always intense and combative — I grew up in a football town — the overall atmosphere was relaxed,” says Crump. “The other finalists were very amiable and supportive.”

Not only did Crump secure himself slot in the 2016 LEAF lineup, but he also says the competition opened up other doors for him. “Aside from it being an excellent experience as a performer, [NewSong] introduces you to a network of great people involved in the music scene around Asheville,” he says. Crump will open for folk musician Jeff Black at Isis Music Hall in Asheville on Wednesday, October 5th.

LEAF-goers will not want to miss Crump’s Saturday, October 22nd performance at 12:15 pm at the barn stage. For more information on LEAF, visit theleaf.org. For more information on Ethan Crump, including his tour schedule, visit ethancrump.com.